VISUAL ARTS

Aspects

The Micro and the Macro of Nature

Everglades solo exhibition – April , 2021

The Micro and the Macro of Nature represent two interconnected scales of existence, where the smallest components reflect and influence the largest systems.

Jo Truman spent a month exploring the beautiful Everglades , an historical homestead with vast, beautiful wild, curated and landscaped garden in leura, Blue Mountains. drawing and painting beautiful large vistas of the gardens and bushscapes, and studying, drawing and painting the smallest delicate botanical specimens such as fungi and flowers.

In one watercolour/graphite work Jo captures Japanese Windflowers growing in the garden, complete with pollinating bee:

Japanese Windflowers & Bee
Watercolour and graphite
(Stokes/Vella collection)

In another larger work she captures the dramatic shelf of a rock face on a pathway down to the waterfall at The Grotto, in coloured inks.

Rock Shelf
Coloured inks
(Stokes Collection)

The Grotto
Pastels

BigCi Artist’s Residency

JULY 1-30, 2026

This residency was a continuation of a project concept I have been working on for several years, revolving around reflections on the work and life of my great, great grandfather, renowned 19th Century Scottish ornithologist, natural history illustrator and writer William MacGillivray. In this project I reflect on the influence of William in my early childhood – memories of his stunning highly representational water colour paintings of black crows hanging on our family dining room walls have left me to contemplate the function of natural history illustration in this era and the emphasis on the rendition of perfection. This left me with a feeling of ambivalence, as the necessity to be unreachably “perfect” – or  nothing – reigned in our household. A necessity which had negative consequences, and I have always associated – rightly or wrongly – with the MacGillivray inheritance.

In this residency I position myself as William’s 21st Century “echo” to the echo he references in his 19th Century poem “Solitudes”:
 
The solitudes of Nature 
were my school
And in the moaning voice
of streams and winds
Without the aid 
of dull scholastic rule.
I felt the tone
which in the lone heart

found its echo

 

My composition for voice, extended vocal techniques and looped bagpipes was a pivotal part of this project, which I also presented with a slide showing of an echoic “call and response” between naturalistic William’s drawings and paintings in the  era of Romantic Colonialism and our era of the Anthropocene. 

 

The scroll installation involves echoing – enacting the practices of specimen hunting by William, but in the context of the environment of BigCi, going on walks and using technology relevant to the 21st Century: photographing and finding interesting natural forms and objects such as a lateral root, leaves, banksia flowers, fungi and a rock resembling a skull. I drew on this imagery with my own “imperfect” interpretation of these natural forms, contrasting and contradicting William’s approach. 

 

I also included a 19th Century pianola scroll as the second scroll, referencing my musical inheritance from the MacGilluvray side of my family. On this I drew “imperfect” renditions of found natural objects in the vicinity of BigCi. The piano roll’s analogue function contrasted the digital function of my electric piano as part of my performance.

Listen to Solitudes on SoundCloud:

 

Scroll Drawing

Magpies
William MacGillivray

Magpie
Jo Truman

Skull
William MacGillivray

Skull
Jo Truman