VISUAL ARTS
Aspects
The Micro and the Macro of Nature
Everglades solo exhibition – April , 2021
The Micro and the Macro of Nature represent two interconnected scales of existence, where the smallest components reflect and influence the largest systems.
Jo Truman spent a month exploring the beautiful Everglades , an historical homestead with vast, beautiful wild, curated and landscaped garden in leura, Blue Mountains. drawing and painting beautiful large vistas of the gardens and bushscapes, and studying, drawing and painting the smallest delicate botanical specimens such as fungi and flowers.
In one watercolour/graphite work Jo captures Japanese Windflowers growing in the garden, complete with pollinating bee:
Japanese Windflowers & Bee
Watercolour and graphite
(Stokes/Vella collection)
In another larger work she captures the dramatic shelf of a rock face on a pathway down to the waterfall at The Grotto, in coloured inks.
Rock Shelf
Coloured inks
(Stokes Collection)
The Grotto
Pastels
BigCi Artist’s Residency
JULY 1-30, 2026
This residency was a continuation of a project concept I have been working on for several years, revolving around reflections on the work and life of my great, great grandfather, renowned 19th Century Scottish ornithologist, natural history illustrator and writer William MacGillivray. In this project I reflect on the influence of William in my early childhood – memories of his stunning highly representational water colour paintings of black crows hanging on our family dining room walls have left me to contemplate the function of natural history illustration in this era and the emphasis on the rendition of perfection. This left me with a feeling of ambivalence, as the necessity to be unreachably “perfect” – or nothing – reigned in our household. A necessity which had negative consequences, and I have always associated – rightly or wrongly – with the MacGillivray inheritance.
found its echo
My composition for voice, extended vocal techniques and looped bagpipes was a pivotal part of this project, which I also presented with a slide showing of an echoic “call and response” between naturalistic William’s drawings and paintings in the era of Romantic Colonialism and our era of the Anthropocene.
The scroll installation involves echoing – enacting the practices of specimen hunting by William, but in the context of the environment of BigCi, going on walks and using technology relevant to the 21st Century: photographing and finding interesting natural forms and objects such as a lateral root, leaves, banksia flowers, fungi and a rock resembling a skull. I drew on this imagery with my own “imperfect” interpretation of these natural forms, contrasting and contradicting William’s approach.
I also included a 19th Century pianola scroll as the second scroll, referencing my musical inheritance from the MacGilluvray side of my family. On this I drew “imperfect” renditions of found natural objects in the vicinity of BigCi. The piano roll’s analogue function contrasted the digital function of my electric piano as part of my performance.
Listen to Solitudes on SoundCloud:
Scroll Drawing
Magpies
William MacGillivray
Magpie
Jo Truman
Skull
William MacGillivray
Skull
Jo Truman



